Mike Atherton Profile
In 1983 he received the Jack Hobbs Memorial Award as the Outstanding Schoolboy Cricketer at beneath-15 level. In a (non-first-class) match against the Marylebone Cricket Club in 1984 he took 6–27. Atherton didn’t have the most effective of begins in his worldwide profession, starting with a duck on debut against Australia in 1989. He got his chance again in 1990 and pounced on it instantly with a 151 on return in opposition to New Zealand.
- Atherton led the establishment of a music therapy clinic and educating facility at Kinsgwood, NSW. In 2011 he was formally acknowledged by Nordoff-Robbins Music Therapy and the music industry for management and support.
- But, in direction of the end, his form fell away as his thoughts grew weary and his body made its complaints.
- He performs over 30 devices and is at all times inventing music on “found sound” objects.
- His 185 not out in the fourth innings while dealing with the diabolical tempo of Allan Donald and Shaun Pollock’s exact swing bowling lasted for 643 minutes.
He performs over 30 instruments and is at all times inventing music on “discovered sound” objects. Michael is unusually adept in the recording studio, both from a technological stand-level and as a producer. He has performed in many genres and styles of music including rock, jazz, people, up to date classical and early music. Michael continues to put in writing film music, chamber music and music in collaboration with Aboriginal associates. Repeatedly Atherton was pushed back and, trying to adjust his stroke, usually succeeded only in touching a ball others might need missed.
And then two and a half years later, once more towards South Africa, again against Donald, he sealed his reputation. At Trent Bridge, in a session of cricket which parched the mouth, he resisted a furious onslaught of quick-pitched bowling from across the wicket to take England to a collection-turning victory. Atherton is a composer and performer with broad experience in music for the live performance corridor, film, tv and radio. He toured extensively all through Asia, Europe, USA and Canada with Sirocco, the Atherton TableBand, and Southern Crossings, supported by Music Viva Australia. He has made numerous CD recordings, documentary movie scores and television themes, together with the station music for TVS.
In 2012 Michael was guest artistic director for the Powerhouse Discovery Centre, composing music for public occasions, including a spectacle for bikes, drum kits, synthesisers, brass and operatic voices. In 1993 he was appointed Foundation Chair in Music at Western Sydney University, where his teaching and analysis focused on current Australian music expressions. In 1998 he was elected to Fellow of the Royal Society of Arts, Manufactures and Commerce.
His northern common sense outweighed the delicacies he had learnt and infrequently studied at Cambridge. In each respect Atherton remained untouched by the vicissitudes of fortune and the ravages of time. Stoicism was his most evident quality – he played for a decade on constant medicine for an inflammatory situation affecting his spine – and there was a dryness of outlook that made him as much an observer as a participant. He was robust, although, and did not flinch in the face of livid bowling or allow his spirit to wilt in adversity. Indeed he was in his element in these circumstances, as the ingredients of his Lancastrian character came together to provide a towering effort. Throughout the Nineteen Nineties Michael Atherton was the face of English cricket.